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"The entire piece is compelling and rich with the hand-processing and coloring and the emphatic looks of the dykes." Barbara Hammer, Letter, July 2000. "Post-riot-grrl ethos informed a number of the best works...[including] Maïa Cybelle Carpenter's hand-processed vision of lesbians and machines The Shape of the Gaze..." Ed Halter, IndieWire, 04 Dec. 2000. "In Maïa Cybelle Carpenter's drily witty The Shape of the Gaze butch women stare assertively at the camera, intercut with tools and machine parts." Fred Camper, Chicago Reader, Sept. 8, 2000.
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All images, texts and clips © Maïa Cybelle Carpenter 1999-2009 |